A Very English Murder, by Verity Bright
Published date: 7th April 2020
⭐️ 2 / 5
Thank you to NetGalley who kindly provided this e-ARC in exchange for an honest review.
I’d like to apologise for this long overdue review. I was sent this e-ARC a while before lockdown began. A busy few weeks at work pre-lockdown and the initial lockdown blues of being unable to concentrate enough to read have prevented me from reading and reviewing this book. I did manage to read this in its publication week and I’m happy to be finally sharing my thoughts.
Our protagonist, Lady Eleanor, witnesses a murder. Except the body vanishes, and the police seem to have no desire to investigate. So Ellie begins sleuthing around the village to solve the murder herself. On the surface this is my perfect book. This concept is so intriguing and I thought this would be a real brain teaser of a novel. Unfortunately not.
The plot began painfully slowly and didn’t really start getting anywhere until around half way through. Honestly I thought the whole first half of the novel could have been cut and it wouldn’t have impacted the story. There was one small side character introduced in the first few chapters that popped up again later in the novel to be useful in ultimately solving the crime, but otherwise there was nothing remotely useful or entertaining in the first half of the novel. Once the plot finally got a move on, everything was very predictable. I felt like there were a lot of missed opportunities for real red herrings and twists to really get the reader going. Unfortunately, I felt the plot was severely lacking in this area.
There was a lot of effort made to drip feed Eleanor’s backstory into the novel. This was the main thing that kept me interested in the book. All I wanted to know was what happened to Ellie’s parents and more about her global travels. *Spoiler alert* we don’t find out what happened to Ellie’s parents. I can only assume this is planting seeds for later books in the series however the mystery element of this mystery novel was not executed well enough for me to read another book in this series.
Ellie is a confusing character. She spends the first 20 chapters doing absolutely nothing except despising other characters in the book for not taking her seriously because she’s a woman. Bright uses Ellie’s every line of thought or dialogue to express that the police in the little village Ellie now lives in is backwards as there are no female officers. She constantly provides social commentary that the men around her are underestimating her before she even opens her mouth based on the fact she’s a woman. She even goes as far as to suspect characters of murder based on how they treated her as a woman and not a shred of motive or anything remotely relevant. The first couple of times it’s brought up, fine, that’s setting the scene. But after that? Honestly, Jesus Christ I get it. The novel is set in 1920s England. We know the social position of women in this time. I felt it was irrelevant to the plot or the character development, especially considering no semblance of a plot was taking place. The second the plot began heading somewhere, the ridiculous commentary stopped clearly showing it served no purpose.
So Ellie was set up as being very pro-women’s rights and very forward thinking for her era, so I thought ‘great’! Surely this means Bright is going to use her protagonist to shut down irritating tropes of women in the 1920s right? HAHAHAHA WRONG. Every time an attractive man enters her field of view she suddenly can’t function and goes weak at the knees. It’s all blushing and feeling faint when an attractive man strays too close. Very cliché.
So which is it? Fainting flapper girl and a hopeless romantic, or trailblazing modern roaring 20s woman (who FYI could have romance without the stereotypical weak, woozy, fainting cr*p).
Clifford, the butler, is a pain in the rear. One of his personality quirks is he is very pedantic. Fine, that’s established early on. But sometimes it feels like this gets in the way of meaningful dialogue and it SERVES NO PURPOSE. Honestly so infuriating.
I did however love the rest of the cast of household staff who each had distinct personalities, really contributed to Ellie’s character development and felt like tangible people.
Unfortunately this book just left me feeling kind of meh. For the most part it felt like I was reading FanFiction of something, and I’d like to point out I’ve read novel-quality FanFic, but this is more an inexperienced author who hasn’t found a voice. The voice is confused, the third person narrative doesn’t work when Eleanor spends so much time inside her own head and voices dialogue to the dog instead of having the novel written in first person…but maybe that’s just me?
I’m really upset that I didn’t enjoy this book as the blurb sounds like everything I adore in a novel. I really expected so much more from this book…
I’d like to thank NetGalley again for sending this e-Arc to me in exchange for an honest review.
Move over Miss Marple, there’s a new sleuth in town! Meet Eleanor Swift: distinguished adventurer, dog lover, dignified lady… daring detective?
England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic forty-five-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. And to add to these indignities – she’s now a Lady.
Lady Eleanor, as she would prefer not to be known, reluctantly returns to her uncle’s home, Henley Hall. Now Lord Henley is gone, she is the owner of the cold and musty manor. What’s a girl to do? Well, befriend the household dog, Gladstone, for a start, and head straight out for a walk in the English countryside, even though a storm is brewing…
But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished. With no victim and the local police convinced she’s stirring up trouble, Eleanor vows to solve this affair by herself. And when her brakes are mysteriously cut, one thing seems sure: someone in this quiet country town has Lady Eleanor Swift in their murderous sights…